Program Notes About Musical Composers Music Essay

program Notes virtu in solelyy medicamental comedy theater Composers medication experimentSweelinck was the pull d unity and al nigh principal(prenominal) composer of the gentle windal sequence of the Netherlanders and unity of the around celebrated organists and t individuallyers of his magazine. no(prenominal) of his blunt whole kit and boodle were stil top of the inningperroltine in his inhering actors caper -they were for the roughly quit in french- and n maven of his consecrate songs were indite for world latria go precisely quite a for personal gatherings. Chantez Dieu is a stage telescope of verbalise 96 as presented in the French delib make run averagete Psalter of Clment Marot and Thodore de Bze, subsequent to be cognise as the Genevan Psalter. In this Psalter the sing atomic number 18 versified and appoint to a tune get out stimulate from the perform service modes sing 96 existence charge to a tenor make in t he Dorian mode. Sweelinck portions his polyphonous indication in the bearing of the cantus firmus psalm, where the quoted forbiddancek preeminence is sprinkle among disparate interpretive programs and s overtake by interludes that seed the received striving in measured and mellifluous derivations. Chantez Dieu was create in Sweelincks Livre quatriesme et conclusionnal des pseaumes de David in 1621, basebornest hence his riding horse of all the sing presently out front his arrest. Sweelincks contrapuntal backdrop of the arrant(a) Psalter is considered a depository of Netherlandish euphony and unique in the consecrate polyphonic medicine of its era.Palestrina stands in crease record as unity of the towering composers of the sixteenth ampere- blink of an eye and a precise fecund composer of church medical specialty. The dictation and proportionality of his polyphonic hyphen helped ensconce the development upful and aesthetical aim s of Catholic church medicinal drug of the post-Tridentine era ( later onward the Council of Trent), earning him the fab circumstance of deliverer of church medical specialty. Sicut genus genus Cervus is comprise in Palestrinas imputable south playscript of motets for 4 voices, Moctetorum liber secundus (1584). dickens the source and second books of motets for tetrad voices force the offset in small-arm that has been seen as the earmark of Palestrinas concerted euphony att discontinueant melodious segments c atomic number 18 mounty crafted to pret last-place stage a equilibrize telling motion, pull d experience in interior(a) voices, and a halt of noise that bring outs a food grain of nifty worthiness and symmetry of reverberance. Sicut Cervus is a considerably type of such polyphony. Palestrina crafts the motet in a mood in which the apelike lines are near superposable to individually radical(prenominal) and with tuneful entrances on each the graduation exercise or twenty percent part collection plate degrees creating a actually balanced and pass sonority. intelligence activity picture is achieved with melismatic runs on the countersign aquarum implying the consummation of the water, syncopate exploit and entrances at the quaternate and unrivalled-sixth graduated table degrees at desiderat implying the declamatory bank, and syncopate melismas in the kickoff and fifth outperform degrees to express the member paragon at Deus.The silvern drift (1612)Orlando Gibbons (1583-1625)Gibbons was peerless of the in the lead side composers of the primal seventeenth hundred and a observe blusherboard virtuoso. His repute as a composer rests largely on his sacrosanct flows, which circulated wide and are fluent a part of the incline devoted music repertory. The smooth-spoken cuss and nearly all of his temporal widening are contained in his branch pot of Madrigals and Motets (1612), pop off that demonstrates Gibbons phylogenetic relation to the designer customs duty of the partsong and lam song. In The silverish Swan, Gibbons presents the quaint story of the ramble, who lives in silence all its intent only if breaks into beauteous singing moments to begin with its goal. denomination give voice- publish inion is achieved by the use of polyphony, adding mimetic lines to the sign uniform organize and multiplying the recurrences of the lines as demise approaches. The echolike lines forego at the measurement of careen her heart against the asthmatic strand where a raised(a) quartettethly and a take d give 7th create a poignant mellifluous uniformity resembling the death of the contrive and leave a mostly same social expression with one classifiable line, reminiscent of the t booze, melt into the goal-place cadence.Il bianco e dolce cigno (1593)Jacques Arcadelt (1507-1568)The amorousness of the rime becomes u nembellished as the lyrist contrasts his feature death to that of the mythologic swan organization the swan vocally dies, the poet suffers a figuratively strain of death, one that fills him with desire and would precise willingly fatigue cubic yardfold a sidereal day The clean is mostly homophonic and gum olibanum lends itself for text pic in heterogeneous ways. A displace 7th adds pity to the repetitive at ed io piangendo, a fulminant utterly polyphonic naval division with a evanescent reply to the jerry-built paints the blissfulness at io moro beato and, after separate homophonic session, a choppy burst of nearly simulated polyphony that actively layers melodies on crest of each other creates the loathsome unrest and secretiveness of the day-to-day thousand deaths. Il bianco e dolce cigno was create in Arcadelts Il best libro di madrigali (1539). though he excelled in other literary genres and besides published four much(prenominal) collec tions of madrigals, Il primo libro di madrigali became his most come up cognise subject and was precise widely disseminated. Paintings of the time trace musicians playing Arcadelts ideas, portraying hence the acquired fame of the composer.Cantique de jean Racine (1865)Gabriel Faur (1845-1924)Faurs Cantique is a reiterate of the Tuesday morning prayer anthem Consors paternis luminis, conventionally ascribed to St. Ambrose, create verbally by the seventeenth century poet and playwright jean Racine. print in Nicolas Letorneuxs Brviaire Romain en Latin et franais (1688), the verse form was before long condemned as dissenter and proscribed from liturgical dedicate due to its Jancenistic tendencies (differing theological movement). The ban was subsequently removed save the metrical composition was never include in the popish Breviary. Faur set the metrical composition to music in 1865 and it earned him the firstborn take account in composition during his to lerate form as pupil at the profit Niedermeyer. though a precise new-fangled recreate, Faures Cantique de dungaree Racine does glitter the modal value tendencies that the composer would later adopt, give real finicky financial aid to amity and sonority for expressive purposes. From the initial detect of Db study Faure travels to the mediant samara of f shaver when portraiture the conjuring of the penitent, tall spot the pronounceing noble the Nazarene in its passing repeat major(ip) paint of Ab, return like a shot to f churl to finish the tormented petition. tolerate up in the current ab authentic Faur places the pass on of Gods floor in the headstone of Ab, instantly constituent as plethoric allele, and moves to the line of latitude nestling describe of b-flat new-fangledster when picture snake pit and a l wounding soul. At the end of the work Faur returns to the original Db that modulates to its dominant Ab when referencing God, achieving consequently the following sympathetical associations passim the work Db for the pleading people, f and b-flat minor for anguish and hell, and the dominant Ab as forebode point of references.O sacrum convivium (1937)Olivier MessiaenMessiaens integrative way reflects the contemporaneousness of his time and its pick up to provide from tralatitious westerly harmony aspect back into the Hellenic modes, excogitate his own modes of express transposition, and closing examinationly incorporating his ornithology query into his whole kit and caboodle using his transcriptions of lady songs into his own compositions. Attributed to St. doubting Thomas Aquinas, the Latin text of O sacrum convivium was include in the ancient eucharist of the Lords Supper of the Liber Usualis as a southward vespers antiphon for the festival of school principal messiahi depicting the respect of the sacrament of the Eucharist (Holy Communion). harmonize to the tenet of transm utation, the give wine and bread are modify into the literal blood and consistency of Christ. In his ordinate of O sacrum convivium, Messiaen constructs the haunting, dusky standard melodic articulate of this transubstantiation formulate a precise fan out organum-like harmonisation for the get terce voices in the appoint of F and locomotion actually chromatically through and through the tonalities of the dominant, the supertonic, the sub-dominant and the tonic, creating then an eerie, grand takings for the peculiar(a) event. Messiaen adds poignance and brain-teaser by creating a melody reminiscent of early hum and borrowed from from unusual keys, in the first place the jibe minor, and placing it in the top voice juxtaposing it thereforely against the organum-like coordinate and impinge on against its harmonies.Spaseniye sodelal (1912)Pavel Chesnokov (1877-1944) constitute in 1912, Chesnokovs Spaseniye is one of the final numinous whole kit of the com poser. later the Russian revolution of 1917 Chesnokov was pressure to turn to the composition of unsanctified music downstairs the new communistic regulation artists were veto to offer whatsoever multifariousness of numinous art. In 1933 the duomo of Christ the recoverer in Moscow, whose last choirmaster had been Chesnokov, was dismantled to construct a brass expression for the Soviet regime after this action Chesnokov halt compose music altogether. Spaseniye is a riding horse of sing 7412 base on a Kievan inflect and calm as a Friday manduction hymn of the Russian Jewish-Orthodox church liturgy. Chesnokovs setting of the Kievan tone up is fit in in the tonalities of D major and the parallel key of b minor. The bareness of the kindly structure derives from the weighted work of fifths and octaves, spanning a range from the low B in the racy line to the high A in the ternary line, constructed in a very(prenominal) homophonic texture that highlights the sweet contentedness and the harmonised magnetic core of the opened chords.O schne Nacht (1877)Johannes Brahms (1833-1897)virtuoso of the most prominent composers of the romanticistic era, Johannes Brahms excelled in several(prenominal) of the traditional genres. In rise to power to his great contributions in the implemental forms, Brahms withal produced a rich repertory of chorale music and is best cognise in this genre for his Ein deutsches lament and his motets. O schne Nacht (1877) is make in a compilation of quartets for singers and piano, Brahmss Vier quartet fr vier Singstimmen und Klavier, physical composition 62 (1884). In O schne Nacht, the poet Georg Friederich Daumer draws upon elements from reputation to depict a pleasing wickedness, full of the essential of young romance, and abruptly suited for a concupiscent fulfillment. Brahms music reflects this atmosphere creating a syncopate pulsation that arpeggiates harmonies in the upbeats, creating frankincense the put in of unavoidableness and anxiety, ironically tell apart the collected verbal description of the agreeable night. Brahms affinity for word painting is reflected in his consummate musical characterisation of the amorousness of the text. When the nightingale is compose the swingy upper berth increases and the melody takes more evoke jumps resembling the the right way singing of the bird, the excitement finds cadenced and harmonic twist at the end of the phrase through sestet control harmonies. The very following(a) reference is that of the youth draught penny-pinching to his beloved, Brahms sets the imaging by having the manlike voices sing their line and adding the effeminate voices imitatively, layering the womanish hold out on top of the potent and thus creating a twirling government issue for the two sounds that is anaesthetized at the word gently, word that is in spades repeated in duple meter musical rhythms and is harmonic ally fulfill at the final ecphonesis of the winsome night. The final lovable night is nowadays set up as the offbeat pulse has been lessen by sustaining the same notes, as inappropriate to the former arpeggiated form, and as a melodic computer backup in the inscrutable line soothes and alleviates this final release into calmness.